What's New at 120studio.com
2018 January 18
New Gallery: Expired Velvia Slide Film
2018 January 15
Martin Luther King Day
Working on something, whether it be a tripod or a welding project, I find that it's easier to look at a watch than a phone. Here's a quick review of an inexpensive quartz watch that's actually pretty good:
New: Timex Expedition Quartz Watch
2018 January 12
Just playing around with the weather gauge. 8 PM: 50 deg. F; barometer 28.64 in. Hg; heavy downpour. (30 minutes later: 45 deg. F, 28.65 in Hg, downpour tapering off.)
Not even a week ago, it was zero Fahrenheit in the mornings. This morning it was 59 or 60. Intermittent heavy rains all day.
But now there's supposed to be a sudden freeze again, and this weekend the lows will be back near zero.
The speed with which weather conditions change seems unnatural. You're watching the temperatures on your weather station, and at first you begin to wonder if there's something wrong with it. And then you hear the downpours: this is weather for May or June. Well not really even that.
Four Views of a Tree With The Moon
35mm color negative film, this one.
2018 January 11
Fujichrome Velvia 50 (35mm)
This photo is from last spring, but I only just noticed that I never posted the article that was supposed to go with it. This is not really a winter project, but it could be.
New Article: I-Beam Saw Horses
And actually, with the 40-degree weather we had the other day, there were people out there wearing shorts. After about two weeks of bitter cold, it really did feel like April weather outside.
2018 January 5
Many are recovering from the East Coast blizzard of 2018, a storm system which brought snow as far south as Tallahassee, Florida. The pressure dropped 53 millibar in 21 hours. There was even thunder and lightning. There was over a foot of snow in some locations.
And for the weekend, according to the National Weather Service:
"Valid 12Z Fri Jan 05 2018 - 12Z Sun Jan 07 2018:
...An arctic outbreak will keep temperatures 20 to 30 degrees below average across the northeastern U.S..."
"12Z" is 7 AM Eastern Standard Time.
Large Format Photography
Large format isn't just about getting "a picture"; it's the epitome of the photographic art. You do large format not simply for the image quality, but also because there's something special about the whole process.
Here's my somewhat worn copy of Using the View Camera by Steve Simmons. Every now and then I refer to it for some thing or another; it's even got a section on creative ideas. A great first book on large format, since it covers most of the core topics. The reciprocity charts in my old edition could benefit from some updates, probably, but at least it's got Kodak Tri-X in there.
The book has chapters on camera movements, choosing a lens, using the Zone System, and quite a bit more. I may do a full review on it, but if you're getting into large format, this one should probably be on your bookshelf. Get yours here if you don't already have it.
2018 January 4
Full Moon on a Very Cold Night35mm
The unusually cold weather that began in late December is still going on. One night the temperature fell below zero Fahrenheit, actual air temp (not the wind chill).
Cold air is not something you can capture directly on film, obviously. But I've wondered: are there ways to give the impression of a bitter cold night, without resorting to the usual photographic devices (icicles, snow, etc)...? I mean, can you capture the essence of a cold winter night indirectly? I don't know for sure, but it's fun to try.
Many times when it's really cold, lots of us have gone from a car to the store without the use of especially warm clothing. We figure we're going from a heated car to a heated store, and hey, it'll only be less than a minute in the cold each way. But when you're out trying to get a photograph of some landscape, and the sun's not out, and you have to trudge hundreds of yards, or a mile, or more in the snow... that's when the cold really sets in.
And yes, the picture is grainy and has lots of base fog, because I like that. In fact, this is not even half as gnarly as I was going to leave it. I like shooting 400 or 800 color negative film that was sitting on a shelf, not in a freezer, for unknown years before I threw it into the camera and guesstimated the shutter speed and aperture (incorrectly-- hence the elevated grain and fog). But it would have been almost as simple to use transparency film and careful metering, and get a more realistic impression of the scene (if that's what you're after).
Which reminds me... eagerly awaiting the re-appearance of Kodak Ektachrome. Last I checked, it's supposed to be on the market within the next couple of months.
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